CHRONOLOGY OF A PROBLEM
2022.
2022.
With its continuous repetition, the video installation rejects the influence of the audience, whose interaction would change its flow, form or content. By establishing that distance, the relationship between the work and the audience changes, but that relationship is not completely negated, it still exists precisely in that achieved distance. By rejecting the possibility of interaction, there is an abandonment of the idea of change, transformation and communication, which, defines the work in its own way.
Kineska četvrt, Fabrika / Novi Sad (September 1-9, 2022)